Tag Archives: photo
The Japanese expression Sasuga doesn’t really have an equivalent in English. The clearest explanation I have found is from yesjapan.com: “Sasuga is a complimentary term said about someone, and it means ‘only that person could have done that thing.’”
When I first looked at these photos I had made of Manaha, “Sasuga Manaha!” was the first thing I thought. Only Manaha would stop amidst the chaos of Shigyoshiki in Gion Kobu, flash me the peace sign, and then laugh about it. It is one of the main reasons I loved photographing her, especially during her brief time as a geiko. Continue reading
Most people interested in the world of geisha and maiko know about Setsubun and the peformances at both Yasaka Shrine and Kitano Tenmangu Shrine held on February 2 and 3, but I’d like to share two things with you that you might not know about Setsubun in Gion Kobu:
I spend a fair amount of time wandering the back alleys and side streets of Kyoto, and there has been a small mystery puzzling me for quite a while now: I often see PET bottles filled with water lined up along walls or wrapped around the bottom of telephone polls or lamp posts in these narrow passages, mostly in more traditional neighborhoods.
I could never understand why these bottles were there, but I never thought to ask anyone about them, either. Then on January 5 this year I was in Miyagawa-cho photographing 2 maiko I know. Despite the hordes of photographers, I managed to be in the best position (right in front of the mouth of the alley) whenever the young women entered or exited an alley.
Sometimes the geisha and maiko go down an alley and return the same way, but other times they enter at one end and exit at the other. This can be a tricky situation if you want to be considerate to the other photographers, which I try to be most of the time. If you are in front and get up too quickly, you can block other photographers behind you.
On the other hand, if you wait too long, you lose any chance of following after them at a respectful distance and get ensnared by the hordes of photographers at the other end of the passageway.
I’ve learned from experience that no matter what I do, I won’t be able to win. No matter when I follow, some little old Japanese man always whines that I’ve ruined his shot, even if the geiko and maiko have already disappeared around the corner at the other end of the alley.
Anyway, I had photographed the maiko in three or four alleyways already, and I was getting bored of taking basically the same shot over and over again of them holding their obi as the recede into this distance.
At this particular alley most of the little old men had fallen behind, so I didn’t have to worry about blocking anyone else. I followed the maiko, framed the photograph — and noticed something weird out of the corner of my eye: a row of those mysterious PET bottles!
Suddenly, the PET bottle were much more interesting to me than the maiko, and I quickly recomposed the image to include them in the photograph. “Well, at least I can finally ask someone about these PET bottles,” I thought after I had made the photograph.
I asked a friend who knows all about the customs and traditions of old Kyoto a few days later, and he told me that the PET bottles filled with water are put in alleys to keep Kyoto’s many stray cats away from that alley and from doing their business on the walls.
My friend wasn’t sure if this was an effective method or not of really keeping the cats away, but at last I had an answer to my nagging mystery!
Whatever puzzles that have been perplexing you, I hope you find your answers in the coming year.
Finally, I just want to say that I will definitely be adding new posts on the last Sunday of every month this year, but I don’t know if I will be able to blog more regularly than that. I apologize for any inconvenience caused, but there is only so much time in a day and many other projects that need my attention.
The new maiko Katsusen of Gion Kobu poses with several young students during her omisedashi (debut as an apprentice geisha) on December 5, 2013.
The students are standing to Katsusen’s left, but they are obscured by the photographers who rushed in to capture the moment. When the crowds move forward, I move back and get as far away as I can, which gave me the chance to capture a different perspective of the scene.